Elma Durmisevic
Mario Kordic
Nasiha Pozder
Thorsten Nölle
Ron Jacobs
Dubravko Bačić
Admir Kulin
Duncan Baker-Brown
Roberta Zarcone
Selma Harrington
Igor Kuvac
Tijana Tufek Memisevic
Joost Declerq
Senada Demirovic
Sanela Klaric
Gil Peled
Gilli Hobsb
Haris Bradić
Igor Kuvac
Igor Kuvač, BArch MArch (2009) at Faculty of Architecture, Civil Engineering and Geodesy, University of Banja Luka (AGGF) | Best student of the generation | PhD degree at the University of Granada (Spain) (2017) | Erasmus Mundus Fellow with a dissertation titled Forced Transition – New settlements of Displaced Persons after the War (1992-1995) in Bosnia and Herzegovina.
Born in Sarajevo in the 1984 Winter Olympic year. I work as an Assistant professor at the Department of Architectural Design at the University of Banja Luka, where I coordinate the Master’s program of Architecture and Urbanism, and teach different modules on architectural and urban design. I am a co-founder and Head of the Center for Spatial Research, which experiments with innovative models of urban design, and I coordinate Small SCALE and other projects. I explore the different spatial scales as well as the cultural context of contemporary urban transformations, focusing equally on urban and anthropological themes.
Opening address:
18:00 h
17 October 2024
KIOSK K67
K67 is a kiosk design which was introduced in 1966 by the Slovenian architect and designer Sasa Machtig. Its system is based on polyfibre reinforced modules, which could be used as single units or combined to large agglomerations. It inhabits the cities as newspaper kiosks, parking-attendant booths, copyshops, market stands, shelter booths, chip stalls, student cafes or lottery stands, easily visible and accessible, in different colours and combinations. The unified functional design of the units enables them to fit almost any location and its context as well as numerous, diverse functions.
Patented in 1967, K67 was prepared for its serial production in 1968 with the first exhibition of prototypes in Ljutomer (Slovenia). It was manufactured by Imgrad in Ljutomer, a small Slovenian town. In April 1970 K67 was published in an English design magazine with the article “Low life from the streets” and the Museum of Modern Art in New York included it into its collection of 20th century design. The K67 was sold in large quantities not only to the countries of Ex-Yugoslavia, but also to the COMECON countries and other continents (eg. Japan and New Zealand).